Yoshiwara: Hidari Fuji - Utagawa Hiroshige
Archival giclée
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Description
A classic woodblock print from Utagawa Hiroshige's Tōkaidō series, depicting travellers passing Mount Fuji at the Yoshiwara station.
This woodblock print is part of the series The Fifty-three Stations of the Tōkaidō, one of the most recognised projects in the history of Japanese art. Utagawa Hiroshige captures the Yoshiwara station, which served as the fifteenth stop on the road connecting Edo to Kyoto. The composition focuses on the travellers navigating a path lined with pine trees, while the iconic silhouette of Mount Fuji appears in the distance to the left. This specific view is often referred to as Hidari Fuji, or Left Fuji, because the mountain appears on the left side of the traveller moving towards the capital.
Hiroshige employs a balanced colour palette, using soft gradients in the sky to suggest the transition of time or weather. The print demonstrates the technical precision of the ukiyo-e tradition, where multiple carved blocks were used to layer colours and define the forms of the trees and the figures. The figures themselves are rendered with simple, clear lines, providing a sense of scale against the vastness of the natural environment. The inclusion of calligraphic text in the upper section adds a layer of literary context, common in prints of this period, which often combined visual art with poetry or travelogue elements.
As a museum-grade fine art print, this reproduction maintains the clarity of the original woodblock impressions. The work offers a glimpse into the travel culture of the Edo period, documenting the daily life of merchants, pilgrims, and officials who traversed the Tōkaidō. The composition avoids excessive detail, allowing the viewer to appreciate the spatial relationship between the foreground path and the distant mountain peak. This print remains a representative example of Hiroshige's ability to synthesise observation with the stylistic conventions of his era.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Yoshiwara: Hidari Fuji - Utagawa Hiroshige
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