Young Corn - Grant Wood
Archival giclée
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Description
A precise, stylised depiction of the Iowa countryside by American Regionalist painter Grant Wood, featuring rolling hills and rhythmic, rounded trees.
Young Corn, painted in 1931, is a characteristic example of Grant Wood's mature style. It depicts the rolling hills of Iowa, rendered with a deliberate, almost sculptural precision. The composition is structured around the rhythmic, repetitive forms of the trees and the undulating contours of the earth. Wood employs a smooth application of paint, which minimises visible brushwork and contributes to the clean, polished appearance of the scene.
The work captures a quiet moment in agricultural life. Small figures are visible in the lower left, tending to the young crops, yet they remain secondary to the overwhelming presence of the environment. The trees are depicted as dense, rounded masses, creating a sense of order and stability. This stylisation reflects Wood's interest in the decorative potential of the American Midwest, moving away from the gritty realism often associated with the era.
Wood's approach to light and shadow is calculated. The sun casts long, sharp shadows across the fields, which helps to define the topography and adds a sense of depth to the composition. The colour palette is dominated by various shades of green, ranging from pale, sun-drenched grass to the darker, cooler tones of the foliage. This work is held in the collection of the Cedar Rapids Museum of Art, where it remains a representative piece of the artist's focus on the rural identity of his home state.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Young Corn - Grant Wood
Artist Biography
Grant Wood
As a key figure in the Regionalism movement, Grant Wood rejected European abstraction in favour of celebrating rural American life. His most famous painting, *American Gothic* (1930), became an iconic, and often parodied, representation of the American character. Other notable works, like *The Midnight Ride of Paul Revere* (1931) and *Stone City, Iowa* (1930), further cemented his reputation as a painter of the American heartland. These paintings weren't simply landscapes; they were imbued with a sense of nostalgia, social commentary, and a deep connection to the land.
Despite his relatively short career, Grant Wood left an indelible mark on American art. His paintings continue to resonate with viewers today, offering a glimpse into a specific time and place, while simultaneously exploring universal themes of identity, community, and the relationship between humanity and nature. His work serves as a reminder of the beauty and complexity that can be found in the everyday, and the enduring power of art to capture the spirit of a nation.
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