Zebra - Terry Frost
Archival giclée
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Made to order
Description
A striking screenprint by Terry Frost, featuring a rhythmic stack of curved, colourful forms against a bright yellow ground.
Terry Frost, a central figure in the St Ives School, produced work defined by his response to light, movement, and the Cornish coast. Zebra is a screenprint that demonstrates his interest in rhythmic form and colour interaction. The composition consists of a vertical stack of horizontal, curved shapes, which are arranged against a bright yellow ground. These forms, reminiscent of stacked vessels or organic segments, are framed by two vertical, textured grey bands that provide a sense of structure to the otherwise fluid arrangement.
Frost often utilised simple geometric shapes to explore the relationship between positive and negative space. In this print, the repetition of the curved forms creates a sense of oscillation, drawing the eye up and down the vertical axis. The palette is composed of saturated primary and secondary colours, including red, blue, green, and orange. These hues are applied with a flat, graphic quality that is characteristic of his later printmaking practice. The texture within the grey side panels adds a subtle contrast to the smooth, solid colour fields of the central stack.
Throughout his career, Frost moved away from direct representation, preferring to distill his observations of the world into essential shapes. His work is not concerned with narrative, but rather with the physical sensation of colour and the balance of form. This print captures his ability to create visual energy through minimal means. The arrangement of the shapes suggests a playful, almost musical quality, reflecting his long-standing interest in the interplay between rhythm and visual art. By stripping away unnecessary detail, Frost allows the viewer to focus on the pure interaction of the shapes and the brightness of the yellow background. This piece is a clear example of his mature style, where clarity of form and the emotive power of colour take precedence over traditional subject matter.
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Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Zebra - Terry Frost
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