Zeilende driemaster met links een rotskust met bomen - Salomon Savery
Archival giclée
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Description
A detailed seventeenth-century etching by Salomon Savery featuring a three-masted ship navigating near a rocky, tree-lined coast.
This etching by Salomon Savery depicts a three-masted ship navigating coastal waters. The composition focuses on the vessel, rendered with careful attention to the rigging and the structure of the hull. To the left, a rocky outcrop topped with trees provides a sense of scale and geographical context, while the turbulent sea is captured through rhythmic, hatched lines that suggest movement and depth. A smaller vessel is visible in the distance, balancing the composition and reinforcing the maritime theme common in seventeenth-century Dutch printmaking.
Savery, a member of a prominent family of artists, was active as both a painter and an engraver. His work often reflects the technical precision required for print production during this period. The use of line here is deliberate, with varying densities of hatching used to create shadow, volume, and the texture of the water. The sky is filled with light, cloud-like forms that contrast with the darker, more heavily worked areas of the ship and the shoreline. This print demonstrates the period's fascination with maritime subjects, which were central to the economic and cultural identity of the Netherlands at the time. The inclusion of the inscription 'S. Saury Excudit' indicates Savery's role in the production of the print, likely as the publisher or the primary engraver responsible for the plate.
As a fine art print, this work offers a clear view into the aesthetic priorities of the Dutch Golden Age. The focus remains on the interplay between human-made structures and the natural environment. The print is presented here with the clarity of the original etching, preserving the character of the ink lines and the texture of the paper. It is a study in maritime draughtsmanship, suitable for those interested in the history of printmaking or the development of marine subjects in European art.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Zeilende driemaster met links een rotskust met bomen - Salomon Savery
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