Zittend mannelijk naakt, van voren gezien (2e prijs 1789) - Derk Anthony van de Wart
Archival giclée
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Description
A precise red chalk academic figure study by Derk Anthony van de Wart, created in 1789 as a prize-winning exercise in anatomical rendering.
This academic figure study, executed in red chalk, demonstrates the rigorous training expected of artists in the late eighteenth century. Derk Anthony van de Wart produced this work in 1789, earning a second prize for his technical proficiency in rendering the human form. The composition focuses on a seated male nude, positioned to display anatomical precision and mastery of light and shadow.
The artist employs the sanguine technique, a traditional method using red chalk, to build volume through varied pressure and hatching. The figure is posed on a block, a common studio prop designed to test the artist's ability to manage foreshortening and muscular tension. The head is bowed, directing the viewer's attention to the musculature of the torso and the articulation of the limbs. The background remains minimal, ensuring the focus stays on the anatomical accuracy of the subject.
Such drawings were standard exercises within the Dutch art academies of the period. They served to prepare students for larger historical or mythological compositions. The inscription at the top right, 'Praemium Secundum', confirms its status as a prize-winning entry. The work reflects the broader European interest in classical proportions and the disciplined study of the body, which defined the Neoclassical approach to fine art education. The clarity of the line and the controlled application of the chalk reveal a high level of technical discipline, characteristic of the era's academic standards.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Zittend mannelijk naakt, van voren gezien (2e prijs 1789) - Derk Anthony van de Wart
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