Zondag in het kamp (Sunday in the Camp) - To Frank-Stoltz
Archival giclée
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Description
A delicate graphite sketch by To Frank-Stoltz, capturing a quiet, contemplative moment in a domestic setting during 1942.
This graphite sketch by the Dutch artist To Frank-Stoltz provides a quiet, observational view of daily life. Dated 10 October 1942, the work captures a moment of stillness during a period of significant historical upheaval. The composition centres on a figure seated at a table, rendered with light, economical pencil strokes that define the form without unnecessary detail. A second figure appears reflected or positioned behind a window pane, adding a layer of spatial depth to the scene.
The artist employs a delicate line quality, typical of preparatory studies or personal diary sketches. The cross-hatching on the table surface provides a subtle textural contrast to the smooth, open areas of the figures. The inclusion of a simple mug on the table and the suggestion of hanging fabric in the background ground the image in a domestic, albeit temporary, setting.
Frank-Stoltz demonstrates an ability to convey mood through minimal means. The gaze of the primary subject is directed away from the viewer, suggesting an internal focus or a moment of contemplation. This work functions as a visual record of a specific time and place, capturing the mundane reality of a Sunday. The sketch avoids dramatic flourishes, relying instead on the clarity of the observation. It offers a glimpse into the artist's practice of documenting her immediate surroundings during the war years. The paper shows signs of its age and its origin within a sketchbook, including the faint impression of the binding at the left edge. This print preserves the raw, immediate quality of the original graphite marks, allowing the viewer to appreciate the artist's hand and the gentle rhythm of her drawing process.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Zondag in het kamp (Sunday in the Camp) - To Frank-Stoltz
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