Wolfgang worked primarily within the German Baroque tradition. He mastered the mezzotint technique, which allows for soft tonal transitions and deep shadows. His portfolio includes many portraits of European nobility. He also produced detailed maps and architectural prints. His work is defined by a controlled use of line and a preference for formal, structured compositions. He often documented historical monuments, such as the tomb slabs of Peter Vischer, for academic publications.

Modern collectors value Wolfgang for his technical precision. His prints provide a clear window into the social hierarchies of the eighteenth century. The monochromatic nature of his engravings suits contemporary interiors that favour a neutral palette. These works offer a sense of historical weight without overwhelming a room with colour. They are ideal for those who appreciate the disciplined craftsmanship of the Augsburg school of engraving.