His style is defined by a softness and grace that diverged from the heavier theatricality of some contemporaries. He drew inspiration from the works of Correggio and Parmigianino, which he likely studied through prints and the collections of Genoese aristocrats. This influence is visible in his treatment of light and the gentle expressions of his figures. His compositions often focus on intimate religious narratives, such as the Holy Family or the Nativity, where he employed delicate line work to create a sense of movement and warmth.

For the modern collector, his art offers a balance of technical precision and emotional directness. The etchings are particularly valued for their clarity and the way they capture complex scenes on a domestic scale. Because his career was so short, each surviving piece represents a rare glimpse into a talent that was never fully realised. These prints suit contemporary interiors that favour classical subjects rendered with a light, refined touch rather than overbearing ornamentation.