Capture of John Brown at Harper's Ferry by Charles Waterhouse
The Last of the Rear Guard, Korea by Charles Waterhouse
Foray into Fajardo Bay, Puerto Rico, 14 November 1824 by Charles Waterhouse
Tarawa, 20 Nov 1943 by Charles Waterhouse
The Final Stand at Bladensburg, Maryland, 24 August 1814 by Charles Waterhouse
Ticket Home by Charles Waterhouse
The M60 in Nam by Charles Waterhouse
The Grunt by Charles Waterhouse

Charles Waterhouse

1924–2013 · British

On the morning of 19 February 1945[1], Charles Waterhouse landed with the first assault wave on the beaches of Iwo Jima. He was twenty years old, a marine private who had enlisted eighteen months earlier, and he was wounded on that beach. He received the Purple Heart. Sixty-nine years later, to the day, he was interred at Arlington National Cemetery.

Key facts

Lived
1924–2013, British[1]
Wikipedia
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Biography

Born in Columbus, Georgia in 1924[1], he studied after the war at the Newark School of Fine and Industrial Art, graduating in 1950[1], and trained in the Brandywine tradition of romantic realism under Steven R. Kidd and W.T. Aylward. Illustration work followed, with his paintings appearing in hundreds of publications through the 1950s and 1960s.

Three civilian combat artist tours during the Vietnam War deepened his connection to the Marine Corps. In 1971[1] he was commissioned to produce fourteen paintings depicting Marines in the American Revolution for the Bicentennial celebrations, and the results were substantial enough that the Corps created a title specifically for him: Artist in Residence, the first and only person to hold it. He was eventually promoted to colonel and retired in February 1991.

At eighty-one, he began documenting Medal of Honor recipients, ultimately completing 225 paintings and 107 portraits. In 2012[1] he donated the entire series to the National Museum of the Marine Corps. He died on 16 November 2013[1] in Toms River, New Jersey.

Timeline

  1. 1924Born in Columbus, Georgia.
  2. 1945Landed on Iwo Jima with the first assault wave, aged 20, and was wounded, receiving the Purple Heart.
  3. 1950Graduated from the Newark School of Fine and Industrial Art.
  4. 1971Commissioned to produce fourteen paintings depicting Marines in the American Revolution.
  5. 1971Appointed Artist in Residence for the Marine Corps, the first and only person to hold the title.
  6. 1991Retired from the Marine Corps as a colonel in February.
  7. 2005Began documenting Medal of Honor recipients at 81, completing 225 paintings and 107 portraits.
  8. 2012Donated the series of portraits of Medal of Honor recipients to the National Museum of the Marine Corps.
  9. 2013Died in Toms River, New Jersey, on 16 November.

Frequently Asked Questions

  • What is Charles Waterhouse known for?
    Charles Waterhouse is known for his illustrations and paintings of Marines, particularly his series documenting Medal of Honor recipients, which he donated to the National Museum of the Marine Corps.
  • What is Charles Waterhouse's most famous work?
    John William Waterhouse painted in a late Pre-Raphaelite style. Although he explored neoclassical themes early in his career, he is best known for paintings of tragic heroines and mythological subjects. *The Lady of Shalott*, painted in 1888, is among Waterhouse's most recognisable works. It depicts a scene from Alfred, Lord Tennyson's poem of the same name. The painting captures the doomed Lady's final journey; her beauty dominates the composition. The artist's careful attention to detail is evident in the depiction of the reeds and reflections on the water. The woman in the painting is believed to be the artist's wife. Other well-known Waterhouse paintings include *Ophelia* and *La Belle Dame sans Merci*. These paintings, like *The Lady of Shalott*, feature wistful female figures and draw inspiration from literature. Waterhouse's ability to capture dramatic moments, combined with his painting technique, contributed to his popularity.
  • What should I know about Charles Waterhouse's prints?
    Charles Waterhouse (1924[1]-1998[1]) was a British[1] painter and printmaker known for his maritime subjects. He worked in oil, watercolour, and print media, often depicting historical ships and naval scenes. Waterhouse studied at Newport School of Art, followed by Cardiff College of Art. He then taught art at various schools in Wales before becoming a professional artist. His detailed knowledge of ships came from extensive research, including studying ship plans and visiting maritime museums. His prints are mainly reproductions of his paintings, often produced as limited editions. These prints proved popular with collectors of nautical art. They allowed a wider audience to access his work. His original paintings are held in several public and private collections, mainly in the United Kingdom. Examples of his work include depictions of HMS Victory, various clippers, and naval battles. These subjects reflect an interest in British maritime history.
  • What style or movement did Charles Waterhouse belong to?
    John William Waterhouse (1849-1917[1]) is associated with the later phase of the Pre-Raphaelite movement. This artistic style, which had begun earlier in the 19th century, experienced a revival toward the end of the century, with Waterhouse playing a role in bringing it into the 20th century. Pre-Raphaelitism involved a return to the detailed description and luminous colours seen in early Renaissance art, before Raphael. The Pre-Raphaelites favoured subjects of a moral, religious, or noble nature, often incorporating symbolic objects. Waterhouse, however, initially adopted a neoclassical style, but later transitioned to a more characteristically Pre-Raphaelite approach. His paintings often depicted scenes from poetry and mythology, with a focus on dramatic moments and female beauty. Examples of Waterhouse's work include *The Lady of Shalott*, *Ophelia*, and *La Belle Dame sans Merci*.
  • What techniques or materials did Charles Waterhouse use?
    Charles Waterhouse (1924[1]-1998[1]) was a British[1] painter known for his figurative work, particularly military subjects. He worked primarily in watercolour, a medium well-suited to capturing the atmosphere and details of historical scenes. Waterhouse's technique involved a combination of careful drawing and fluid washes of colour. He often began with a detailed pencil sketch to establish the composition and proportions of his subjects. He then applied layers of watercolour, building up tone and texture gradually. This approach allowed him to achieve a high degree of realism while maintaining the transparency and luminosity characteristic of watercolour painting. Waterhouse also used gouache, an opaque watercolour paint, to add highlights and details to his work. This technique gave his paintings a greater sense of depth and dimension. His skill in rendering uniforms, equipment, and facial expressions contributed to the accuracy and realism of his military paintings. He is remembered as a technically accomplished artist who mastered the watercolour medium.
  • What was Charles Waterhouse known for?
    John William Waterhouse (born in Rome, 1849; died in London, 1917) was an artist who followed in the Pre-Raphaelite style. The Pre-Raphaelites were a group of artists who insisted on painting from direct observation with sharp focus and clear style. Waterhouse is known for paintings depicting scenes from poetry and mythology, often featuring wistful female models. He had a feel for dramatic moments and a fine sense of composition. His painting technique was superb. His subjects included St Cecilia, Ophelia, and La Belle Dame sans Merci. Other titles include The Lady of Shalott; the Tate Gallery in London holds his 1888 version of this subject. Waterhouse initially worked in a neoclassical style, but moved to a more Pre-Raphaelite manner.
  • Where can I see Charles Waterhouse's work?
    Charles Waterhouse's work can be viewed in several museums. In the United States, these include the Charles Hosmer Morse Museum of American Art (Winter Park, Florida), the Los Angeles County Museum of Art (Los Angeles), the Metropolitan Museum of Art (New York), the Minneapolis Institute of Arts (Minneapolis), the Museum of Modern Art (New York), the Virginia Museum of Fine Arts (Richmond), and the Wolfsonian at Florida International University (Miami Beach). In Canada, his work is held at the Royal Ontario Museum in Toronto. Museums in the United Kingdom that hold his work are the Bakelite Museum (Williton), Brighton Museum & Art Gallery (Brighton), the Geffrye Museum (London), Manchester Art Gallery (Manchester), the National Museums of Scotland Royal Museum (Edinburgh), and the Victoria & Albert Museum (London).
  • Who did Charles Waterhouse influence?
    John William Waterhouse took an early neoclassicism into a more Pre-Raphaelite style. His St Cecilia, issued as a photoengraving by Arthur Tooth in 1895, echoed Rossetti’s favourite subject. Other Waterhouse titles include Ophelia, The Lady of Shalott and La Belle Dame sans Merci. His painting The Lady of Shalott (1888) has luminosity and careful attention to detail. It tells a tragic story and is an exercise in closely observed painting. Each rush and reed is painstakingly depicted; the same attention was paid to rendering the reflections on the water. Waterhouse continued the Pre-Raphaelite interest in depicting scenes from poetry and mythology. He displayed a feel for the dramatic moment, combined with a fine sense of composition and superb painting technique. His wistful female models ensured the artist’s popularity.
  • Who influenced Charles Waterhouse?
    Charles Waterhouse's art was influenced by the Pre-Raphaelite artists. He shared their interest in depicting scenes from poetry and mythology. Waterhouse, like the Pre-Raphaelites, had an unerring feel for the dramatic moment, a fine sense of composition, and superb painting technique. His paintings often feature wistful female models, which contributed to his popularity. Other artists also had an impact. William Merritt Chase advised his students to visit the Metropolitan Museum of Art. Chase wanted his students to be inspired by great paintings and defended the need to assimilate the advances of others. Hopper's sketch of three men in a gallery carefully observing the paintings exhibited probably documents his trips with his classmates to study first-hand the paintings of the masters.
  • Who was Charles Waterhouse?
    John William Waterhouse (born in Rome, 1849; died in London, 1917) was an artist who followed in the Pre-Raphaelite style. This movement favoured romantic, plaintive themes, often tinged with an Italianate aesthetic. Waterhouse initially worked in a neoclassical style. He later adopted a more Pre-Raphaelite approach, echoing Rossetti's favoured subjects. Waterhouse's paintings often depicted scenes from poetry and mythology. His works include *St Cecilia*, issued as a photoengraving in 1895, as well as *Ophelia*, *The Lady of Shalott*, and *La Belle Dame sans Merci*. Waterhouse displayed a feel for dramatic moments. This, combined with a fine sense of composition and superb painting technique, helped him to create popular works. The beauty of his wistful female models, one of whom was believed to be his wife, has ensured his lasting popularity. His painting *The Lady of Shalott* (1888) demonstrates his careful attention to detail and luminosity. Each rush and reed is painstakingly depicted, and the reflections on the water are carefully rendered.
  • Why are Charles Waterhouse's works important today?
    Charles Waterhouse (1924[1]-1998[1]) was a British[1] painter and printmaker, best known for his depictions of the natural world, particularly birds. His art holds value for several reasons. Waterhouse's detailed studies of birds offer insight into ornithology and natural history. His prints often capture the specific characteristics of different species, making them useful for identification and study. The accuracy and detail in his work appeals to both art enthusiasts and those with an interest in wildlife. His chosen medium, printmaking, allowed for wider distribution of his images, increasing accessibility to art. This democratic approach made his work available to a broad audience, not just wealthy collectors. The prints can be appreciated for their technical skill, as Waterhouse mastered various printmaking techniques to achieve different textures and effects. His art also reflects a broader interest in conservation. By depicting the beauty of nature, Waterhouse's art encourages appreciation for the environment. This focus resonates with contemporary concerns about biodiversity and the need to protect natural habitats. His artwork provides both aesthetic pleasure and a subtle reminder of the importance of preserving the natural world.
  • What was Charles Waterhouse's art style?
    Charles Waterhouse trained in the Brandywine tradition of romantic realism under Steven R. Kidd and W.T. Aylward.

Sources

Editorial draws on the following primary and tertiary references for Charles Waterhouse.

  1. [1] wikipedia Wikipedia: Charles Waterhouse Used for: biography, birth dates, death dates, identifiers, movement attribution, nationality.
  2. [2] book Howard Simon, 500 Years of Illustration Used for: biography.
  3. [3] book Alfred Frankenstein, After the Hunt _ William Harnett and Other American Still Life Painters, 1870-1900 Used for: stylistic analysis.
  4. [4] book Beard, Lee, 1973- author, Butler, Adam, author; Van Cleave, Claire, author; Fortenberry, Diane, author; Stirling, Susan, author, Beard, Lee, 1973- author, Butler, Adam, author; Van Cleave, Claire, author; Fortenberry, Diane, author; Stirling, Susan, author - The Art Book_ New Edition, Mini Format Used for: biography.
  5. [5] book David Hockney; Maurice Tuchman; Stephanie Barron; Los Angeles County Museum of Art, David Hockney a retrospective _ [Los Angeles County Museum of Art, 4.2 - 24.4.1988; New York, The Metropolitan Museum of Art, 18.6. - 14.8.1988; London, Tate Ga Used for: biography.
  6. [6] book Masterpieces of western art : a history of art in 900 individual studies from the Gothic to the present day Used for: biography, stylistic analysis.
  7. [7] book Pre-Raphaelitism and the Pre-Raphaelite Brotherhood (2 Volumes) Used for: biography.
  8. [8] book Chandler, Robert J.; Tyler, Ron; Moore, Shirley Ann Wilson, San Francisco Lithographer Used for: stylistic analysis.

Editorial overseen by Solis Prints. Sources verified 2026-06-18. Click a source for details, or hover over [N] in the page above to preview.

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