His work is defined by a clear, firm line and a strong sense of volume. He often collaborated with Peter Paul Rubens, translating the painter's compositions into the medium of engraving. Works like Judith and Holofernes or Venus Caressing Cupid show his ability to handle complex light and shadow. He used cross-hatching to create depth without losing the clarity of the figures. His engravings after the Gemma Tiberiana demonstrate a mastery of translating three-dimensional relief onto paper.

Collectors value these prints for their technical precision and historical weight. The monochrome palette of his engravings fits well in modern interiors that prefer a neutral aesthetic. These works offer a connection to the Antwerp school and the Baroque period. They provide a way to own compositions by major artists like Rubens or Artus Wolfaerts in their original printed form. The clarity of his engraving style remains sharp even centuries later.