His work is defined by a clear, linear style that avoids heavy shading. He used the etching needle to document the urban transformation of Paris. Works like The Basin of the Tuileries and Saint-Paul-Saint-Louis show his preference for structured compositions. He captured the Seine and its bridges with topographical precision. His etchings of Montmartre, le Moulin de la Gallette offer a balanced view of the district that avoids common bohemian clichés. He often left large areas of the paper untouched to represent water or sky.

Collectors value Béjot for his ability to convey the scale of early twentieth-century urban spaces. His prints of Saint-Malo Viewed from Dinard and Zaandam show that his skill extended beyond the French capital. The clean aesthetic of his etchings fits well in modern interiors. These works provide a window into a quieter version of the city. The lack of excessive detail makes his prints feel open and airy. They are suitable for those who appreciate architectural history and technical precision in printmaking.