Wolff utilised a direct, observational style that prioritised anatomical accuracy and spatial clarity. In works such as Two Dogs Fighting or Wild Boar and Dog, he captured the muscular strain and movement of his subjects with precision. His compositions often place animals in the foreground against muted forest backdrops, ensuring the viewer focuses on the interaction between the creatures. He avoided the soft, hazy textures common in Romanticism, preferring clear outlines and a naturalistic palette to document the life of the Saxon woods.

For modern collectors, these prints offer a connection to the traditional European hunting aesthetic without the artifice of later Victorian styles. The works are grounded in a specific historical moment in German art where realism began to overtake idealised nature. His depictions of dogs and forest deer are unsentimental and sturdy. They suit interiors that value classic European draughtsmanship and the unadorned beauty of the natural world.