His style formed through a dedicated study of Correggio and Parmigianino. He spent years copying their works to master their use of light and form. His drawings and paintings often feature classical subjects and careful anatomical studies. Works like "Portrait of a Prelate" and "Silenus Pouring Out Wine" demonstrate his interest in both character study and mythological themes. He balanced the Mannerist influence of his peers with a clarity derived from his architectural training. This duality allowed him to produce both large-scale frescoes and small, precise studies.

Modern collectors value his work for its technical precision and link to the High Renaissance. His sketches of horse heads and Roman figures offer a glimpse into the working process of a sixteenth-century master. These works provide a sense of historical continuity. They suit contemporary interiors that favour clean lines and classical references. His ability to capture movement in simple ink or chalk drawings makes his art accessible for home displays.