His work often features sharp contrasts and clear linework. In portraits such as Jacques Boyceau or Cardinal de Coislin, Huret uses engraving to define texture and form with precision. He avoided the soft transitions common in later styles. His religious works, including the Flagellation of Christ, demonstrate a mastery of light and shadow. He used these elements to direct the viewer through a scene.

Modern collectors value Huret for his technical skill and the formal structure of his compositions. His prints provide a sense of order and historical weight to a room. The monochrome palette of his engravings fits well with contemporary interiors. These works offer a connection to the intellectual world of seventeenth-century France through their disciplined execution.