His work focuses on the formal rituals of the imperial court. He painted figures with a characteristic stillness. Faces appear in profile against flat, pale backgrounds or within symmetrical architectural frames. He used gold leaf to define textile patterns and jewellery. He avoided the cluttered backgrounds found in earlier periods. Instead, he preferred open spaces that emphasise the subject. Every line defines the status of the sitter.

Modern collectors value these prints for their graphic clarity. The neutral palettes of the nim-qalam style suit contemporary interior design. These works provide a window into eighteenth-century Delhi. They offer a quiet dignity that works well in a study or a formal living room. The precision of the line work remains clear in reproduction. They are sophisticated choices for those who appreciate technical skill.