His work belongs to the Dutch Baroque tradition, yet it often incorporates elements of fantasy. While peers like Jacob van Ruisdael focused on the exact topography of the Dutch Republic, Griffier frequently blended real locations with imagined mountains or ruins. He was a student of Roelant Saftleven, whose influence appears in Griffier’s views and steep river valleys. In paintings like Stadshuizen boven een gracht, he captures the architectural order of urban life. He used thin glazes to create a sense of distance, making his small panels feel expansive.

Modern collectors appreciate Griffier for his ability to balance historical accuracy with a sense of quiet wonder. His views of 17th-century cities and rivers provide a factual record of a period defined by maritime trade and urban growth. The work is direct and lacks the heavy moralising common in other Dutch genre pieces of the era. These prints offer a window into a world of calm canals and busy ports. They suit contemporary interiors that value clear lines and historical depth without the need for grand displays.