His technique is defined by a loose, painterly brushstroke that differs from the smooth finish of many Dutch masters. He used a warm palette and focused on the play of light across textures. This is visible in the coarse fabric of a kitchen maid’s apron or the silk of a merchant’s cloak. In works like The Magnanimity of Scipio, he demonstrated his ability to manage large-scale compositions. His portraits often possess an informal quality and capture sitters in relaxed poses.

Modern collectors value the psychological presence in his work. His paintings do not feel like static historical documents. Instead, the direct gazes in pieces like Zittende jongen create a sense of immediate connection. The combination of domestic scenes and theatrical flair makes his prints suitable for contemporary interiors. They offer a balance between the traditions of the Dutch Golden Age and a more expressive style of portraiture.