His artistic approach favoured the study of social movement and group dynamics. In works like The Venetian Ball or Dancing Peasants, he recorded the specific gestures of different social classes. He avoided heavy shadows, preferring to use fine hatching to define form and space. This technique allowed him to include numerous figures and architectural details within a single composition. His scenes of marching soldiers show a similar interest in the rhythmic patterns of human activity.

Modern collectors value these prints for their historical detail and clear execution. Each work acts as a visual archive of seventeenth-century costume and weaponry. The compositions are orderly and balanced, making them suitable for structured gallery walls or individual display. They offer a direct connection to the Renaissance tradition of printmaking without the visual clutter found in later Baroque styles.