His artistic method involves a rigorous use of photography and hand-pulled prints. He often places images of cotton fields into the middle of modern city streets. This choice forces a connection between the agrarian past and the steel structures of the present. He avoids using soft edges or hazy filters. Instead, he relies on sharp focus and deliberate placement to create a sense of presence. His work frequently uses the grid of the city to organise these historical symbols.

Collectors appreciate his work for its clarity and its intellectual rigour. His prints offer a sophisticated way to display American history without being traditional. They suit modern environments that value clean lines and historical depth. The work is a study of how the past remains visible in our current urban spaces. Each piece invites the viewer to consider the layers of labour behind the modern world.