Her artistic approach focused on the comedy of everyday situations. She frequently visited public locations such as the subway or the cinema to sketch people in their natural states. In works like The Clinch and Movie Theatre, she turned her attention to the audience rather than the performance. Her style uses soft gradients and careful compositions to create a sense of atmosphere in interior scenes. She preferred gentle satire over aggressive political commentary.

These prints appeal to modern collectors because they record the universal nature of urban life. Pieces such as Hat Sale or In the Subway depict social habits that feel familiar even decades later. Her work provides a view into the New York of the 1920s and 1930s without appearing dated or overly formal. The prints are prized for their wit and their ability to find beauty in the mundane routines of the city.