His artistic approach relies on a structured view of the wilderness. In works like Twee hengelaars bij een waterval in een bos, he uses strong vertical elements to organize the space. He often employs a high vantage point, a technique borrowed from earlier Flemish masters. This perspective allows the viewer to see across distances, from riverbanks to mountain peaks. His use of line is precise, defining the texture of bark and the movement of water with clarity.

Modern collectors value these prints for their architectural precision and calm atmosphere. The inclusion of ruins and small figures provides a sense of scale without the drama of later Romanticism. These scenes provide a window into a seventeenth-century vision of nature that is both orderly and expansive. The monochromatic quality of his surviving drawings and prints makes them suitable for contemporary interiors that favour clean lines and historical depth.