His subject matter often leaned towards the strange and the secular. He frequently depicted satyrs and mythological scenes. He also focused on architectural ruins and themes like intoxication. The figures in his work possess a heavy, muscular quality. This suggests an awareness of contemporary Roman sculpture. His compositions use dense hatching to create shadows. This gives the prints a moody, atmospheric quality. This approach contrasts with the clear lighting found in the works of his peers.

Modern collectors value these prints for their sketch-like spontaneity and raw energy. The visible marks of the drypoint needle provide a sense of the artist's hand. This quality is often lost in more polished Renaissance prints. These prints suit contemporary interiors because they balance classical imagery with a rougher, more expressive execution. They offer a window into the experimental side of sixteenth-century printmaking and provide a unique alternative to standard historical art.