His approach to composition relied on clear geometric structures. In prints such as 'Gezicht op Grenoble', he used high vantage points to organise the view. He placed small figures in the foreground to provide a sense of scale against the mountains and valleys. His technique involved precise line work that defined the physical weight of stone buildings and the texture of foliage. This clarity made his prints popular with collectors who valued order and topographical accuracy.

Modern collectors find value in the historical record these prints provide. The monochromatic nature of his prints allows them to fit into contemporary rooms without clashing with existing colour schemes. They offer a window into a world before industrialisation. The focus on architectural form and balanced composition provides a sense of calm. These prints remain relevant because they capture the early efforts of humans to shape the natural environment into formal beauty.