His technique focuses on the physical presence of his subjects through a limited palette and precise brushwork. In works like the 1675 portrait of the regents of the Oudezijds Huiszittenhuis, he arranges figures with a geometric stillness. He avoids the theatrical gestures found in Baroque art. Instead, he uses the fall of light on black fabric or white linen to define the space. This methodical approach creates a sense of permanence. Each sitter is treated with a level of sobriety that suggests a serious, civic-minded character.

Modern collectors often seek art that provides a calm atmosphere for contemporary interiors. Van Anraedt's work fits this need because of its minimalist aesthetic and neutral tones. His portraits do not demand attention with bright colours or complex narratives. They offer a window into a world of order and dignity. The simplicity of his compositions allows these prints to sit comfortably alongside modern furniture. His focus on the quiet reality of the individual remains relevant for those who appreciate understated art.