His technique relied on a visible grid system that structured his compositions. This grid allowed him to organise complex scenes like those in Brass or Barber & Customer without losing clarity. Yarde used white space as a formal element, leaving portions of the paper untouched to create light and rhythm. His figures often appear as though they are emerging from or dissolving into the background. This method gives his depictions of jazz bands and barbershops a sense of movement and memory.

Modern collectors value Yarde for his honest portrayal of Black American life and culture. His work avoids sentimentality, focusing instead on the dignity of everyday interactions and the energy of the jazz era. Pieces such as Team or Johnny's Gone offer a graphic aesthetic that fits well in contemporary interiors. The combination of bold colour blocks and structured grids makes his prints both historically interesting and visually striking for a gallery wall.