His artistic approach focuses on the clarity of architectural forms. In works such as Rouen Cathedral and Church of Saint Jacques, Dieppe, he employs tight, controlled line work to define stone textures. He avoids heavy shading, which keeps his urban scenes feeling open and airy. His compositions often include small figures to provide a sense of scale against the massive gothic structures of Europe.

Modern collectors appreciate these prints for their architectural accuracy and clean aesthetic. The monochromatic nature of his work allows it to integrate easily with various interior styles. These engravings provide a window into a pre-industrial Europe, capturing cities like Paris and Orleans with a level of detail that early photography could not yet achieve. They are valued for their historical honesty and technical precision.