His style is defined by a controlled use of line to create depth. In works like Kidwelly Castle and Boston, Lincolnshire, Jeavons used varying weights of cross-hatching to suggest the weight of stone. He avoided the heavy tones common in earlier copperplate prints. He preferred a silvery, luminous quality that suited the architectural details of Hôtel de ville and Pont d'Arcole. This clarity allowed him to render the complex rigging of ships in Devonport and Dockyards with precision.

Modern collectors value these prints for their architectural accuracy. The monochrome palette of a Jeavons engraving fits well in minimalist interiors. These works offer a window into nineteenth-century topography, from the quiet Water Mill to the ruins of Lillebonne Chateau. They provide a sense of calm through their structured compositions. Each print represents a period when the intersection of art and industrial technology produced detailed images of the physical world.