His style acts as a bridge between the late Mannerist period and the early Baroque. He combined the soft, light-filled approach of Barocci with the sharp, polished lines of the Cavaliere d’Arpino. Salimbeni frequently used diagonal compositions to create movement within his scenes. This is visible in his religious subjects, where the limbs of figures form geometric patterns across the canvas. His work avoids the heavy shadows of later Baroque art, preferring a clear and luminous surface.

For the modern collector, Salimbeni offers a balance of classical structure and soft colour. His paintings like The Betrothal of the Virgin or The Vision of Joachim and Anna provide a sense of calm through their light tones. The clear lines and balanced compositions fit well in contemporary interiors that value clarity over visual clutter. His work represents a specific moment in Italian art history where grace and technical precision were the primary goals of the painter.