Where to See Vilhelm Lundstrøm

Vilhelm Lundstrøm's work can be viewed in several museums and public collections. These include the Aarhus Kunstmuseum in Denmark; the Amos Andersonin Taidemuseo, Helsinki; and the Arkiv for Dekorativ Konst, Lund, Sweden. His work is also held at The Art Institute of Chicago, and the Busch-Reisinger Museum, Harvard University, Cambridge, Massachusetts. Lundstrøm's art can be found at the Cincinnati Art Museum and the Cleveland Museum of Art. European collections holding his work include the Fondation Maeght, Saint Paul de Vence, France; the Fyns Stifts Kunstmuseum (Fyn County Museum of Fine Arts), Odense, Denmark; and the Graphische Sammlung Albertina, Vienna. You can also find his pieces at the Solomon R. Guggenheim Museum, New York; the Henie-Onstad Art Center, Hovikodden, Norway; and the Kunstmuseum Bern and Luzern. Other locations are the Louisiana Museum of Modern Art, Humlebaek, Denmark; the Malmö Museum, Sweden; The Metropolitan Museum of Art, New York; and the Musée National d'Art Moderne, Centre Georges Pompidou, Paris.

When considering Vilhelm Lundstrøm's prints, bear in mind some key aspects of printmaking as a medium. Original prints, such as woodcuts, engravings, or lithographs, are produced by hand, with the artist creating the artwork directly on the plate, block, or screen. Each print is considered an original, and the number of prints is often limited. Some publishers set limits to increase a print’s value; these limits may range from 250 to 1,000 impressions. Prices depend on factors such as the quantity available, the artist’s reputation, the image's popularity, and the quality of materials. In contrast, offset reproductions (posters) are reproduced by photochemical means, without physical limits on the number of prints. Giclée prints, fine art prints made using inkjet technology, are also gaining popularity, and canvas transfers offer the look of a painting. It is worth noting the terminology around prints: a vintage print is made around the time the negative was taken, a period print within 10 to 15 years after, and a modern print is a recent print from the original negative. An original print is made by the artist or under their supervision.

Vilhelm Lundstrøm (1893-1950) was a Danish painter associated with modernism. He is known for a pared-down, cubist-influenced style. In the 1930s, Lundstrøm moved away from his earlier, more radical approach. He began producing simplified, classical compositions. These often featured still lifes and figures. His colour palette became muted, with an emphasis on form and structure. Lundstrøm's art is important because it represents a specific moment in the development of Danish modernism. His early work broke with tradition, while his later pieces sought a balance between modernism and classical ideals. This shift reflects broader trends in European art during the interwar period, as artists explored new ways to represent the world after the First World War. Lundstrøm's focus on clarity and order offers a counterpoint to more expressionistic or abstract styles. His work provides insight into the artistic dialogues of his time.

Vilhelm Lundstrøm is known for his distinctive approach to painting. He often worked with simplified forms and a restricted colour palette. His subjects included still lifes, nudes, and portraits. Lundstrøm's early works show an interest in Cubism. However, he moved toward a more personal style. This style emphasised clear, geometric shapes and muted tones. He frequently used blues, greys, and browns. These colours create a sense of calm and balance in his compositions. Lundstrøm's materials were traditional. He used oil paints on canvas. His technique involved applying paint in smooth, even layers. This created a flat, almost industrial finish. Some critics have noted the influence of Cézanne on Lundstrøm's approach to form and structure. Others point to the impact of early modernism. His paintings are characterised by their simplicity and clarity. They demonstrate a careful consideration of form, colour, and composition.

Vilhelm Lundstrøm's impact is complex. In the 1930s, Scandinavian art was divided, with some nations embracing international styles and others maintaining nationalistic approaches. Lundstrøm was part of a Danish artistic environment that had lively contact with Paris and the Bauhaus. This contrasted with the situation in Norway and Sweden, where nationalistic art movements dominated. Some young artists in Norway felt constrained by tradition, viewing it as a 'straightjacket' rather than a source of inspiration. They felt it was their duty to revitalise tradition. Lundstrøm's influence is thus most apparent in the context of a broader tension between internationalism and nationalism in Scandinavian art. Some artists grappled with tradition, attempting to transcend it. This created a 'tension zone' in Scandinavian art. The works of Asger Jorn, Per Kirkeby, and Bjørn Nørgaard contain references to Danish art history.

Vilhelm Lundstrøm's artistic development involved several influences. Initially, he struggled to differentiate between original artworks, copies, and forgeries. He then discovered Rembrandt, particularly his drawings, which Lundstrøm felt were driven by emotional force and revealed psychological depth. He saw in Rembrandt's work a foreshadowing of psychoanalysis. Lundstrøm, inexperienced in draftsmanship and seeking quick results, found an affinity with Rembrandt’s nervous sketches. Next, he turned to Vincent van Gogh, drawn more to his drawings than his paintings. The analytical nature and texture of Van Gogh's ink drawings taught him that line drawings should not be mixed with half tones. He learned one should aim to express three-dimensional qualities through line alone, and that a picture's quality comes from faithful use of the medium, not merely the rendering of nature.

Vilhelm Lundstrøm is associated with Cubism, an early 20th-century avant-garde movement that changed the course of Western art. Cubism emerged after 1907 and had largely dissipated by the mid-1920s, as artists moved towards other styles. Lundstrøm, along with other artists, adapted aspects of Cubism to explore new artistic avenues. Cubism arose during a period of technological advancement and political upheaval, prompting artists to seek innovative forms of expression. Movements like Futurism in Italy, Constructivism in Russia, and Precisionism in the United States all drew from Cubism to redefine art. Early Cubism involved a balance between abstract forms and recognisable images. Later Cubists, such as Gleizes and Metzinger, systematised the style, while others, including Léger and Gris, explored different possibilities within its language. Some artists, like Delaunay and Kupka, moved away from Cubism's static phase to emphasise movement and colour.

Vilhelm Lundstrøm (1893-1950) was a Danish artist known for his contributions to modernism. Initially, Lundstrøm's work showed the influence of traditional Danish painting. However, he soon became interested in the developments of French art. Around 1916, he began creating Cubist-inspired paintings. These works often featured simplified forms and a restricted palette. During the 1920s, Lundstrøm moved away from Cubism. He developed a more classical style, often painting still lifes and figures. These later works are characterised by their clear lines and balanced compositions. Lundstrøm's shift reflected a wider move away from the avant-garde in the interwar period. His paintings from this period display a concern with form and structure. Lundstrøm is considered an important figure in Danish modernism, because of his early adoption of Cubist ideas and his later exploration of classicism.