A detailed sixteenth-century engraving by Theodor de Bry, depicting a young Secota woman in two poses, based on the original drawings by John White.

This engraving by Theodor de Bry depicts a young woman from the Secota people of coastal North Carolina. It was prepared for the 1590 publication of Thomas Hariot's 'A Briefe and True Report of the New Found Land of Virginia'. De Bry based his work on the original watercolour drawings produced by John White during the 1585 expedition to Roanoke.

The composition presents the subject in two poses: one facing the viewer and one turned away. This dual perspective was a common technique in early modern ethnographic illustration, intended to provide a comprehensive view of the subject's physical appearance, attire, and body markings. The woman wears a fringed apron and beaded jewellery, with visible patterns on her arms and legs. The background features a river scene with a small settlement and a fishing weir, providing context for the daily life of the Secota people.

De Bry's engraving style employs precise, rhythmic lines to define form and texture. The shading is achieved through cross-hatching, a method that creates volume and depth in the figures while maintaining a clear, readable image. The work reflects the European interest in documenting the inhabitants of the Americas during the late sixteenth century. While the images were intended to inform European audiences about the New World, they are filtered through the artistic conventions of the period. The figures possess a classical posture, which was standard for European printmaking at the time. This print serves as a record of the encounter between European explorers and indigenous populations, capturing a specific moment in the history of colonial exploration and the visual documentation of non-European cultures.