Abstraction - Marsden Hartley
Archival giclée
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Description
An early modernist oil painting by Marsden Hartley featuring bold geometric shapes and military-inspired motifs in a palette of red, blue, and yellow.
Marsden Hartley painted this work during his time in Berlin between 1913 and 1915. It belongs to a series associated with military symbols, personal loss, and urban life. The composition uses a collection of geometric shapes including circles, triangles, stripes, and curved segments. These forms overlap to create a sense of compressed space. The application of oil paint is thick and visible, which adds a physical texture to the surface. The colour scheme relies on a bold palette of red, yellow, blue, white, and black. These colours are contained within heavy outlines. The circular motifs resemble military cockades, targets, or buttons. The diagonal stripes suggest flags, uniform details, and heraldic patterns. Hartley moved away from representational subjects during this period to explore pure form and symbolic arrangements. He was influenced by the German Expressionist group Der Blaue Reiter and the spiritual theories of Wassily Kandinsky. This painting avoids a traditional perspective. Instead, the elements are stacked vertically. The background is a pale ochre that provides a neutral base for the more intense colours in the foreground. Hartley used these abstract arrangements to express internal emotions rather than external reality. The work is a significant example of early American modernism and the artist's engagement with European avant-garde movements.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Abstraction - Marsden Hartley
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Marsden Hartley
Returning to the United States, Hartley sought to capture the essence of the American landscape and its people. He embraced a more representational style, focusing on the rugged beauty of his native Maine and the working-class communities he encountered. His "Dogtown" series, depicting the desolate landscape of a former settlement, showcases his ability to find beauty in the stark and unforgiving. These works are not mere landscapes; they are meditations on memory, loss, and the enduring power of nature.
Despite facing personal struggles and periods of obscurity, Hartley remained committed to his artistic vision. His willingness to experiment with different styles and subjects, from abstract symbolism to representational landscapes, makes him a truly unique and compelling figure. Marsden Hartley died in 1943, leaving behind a body of work that continues to challenge and inspire, inviting viewers to contemplate the complexities of identity, place, and the human condition.
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