A nude woman stands in a sunlit woodland by the water in this 1895 oil painting by Swedish artist Anders Zorn.

Anders Zorn painted this work in 1895, during a period when he focused on the human figure in natural settings. The composition depicts a nude woman standing amongst trees by the water's edge. She appears to be drying herself or adjusting her hair after a swim. Zorn uses a limited palette of colours, often referred to as the Zorn palette, consisting of yellow ochre, vermilion, ivory black, and white. This choice creates a harmonious tonal range that mimics the effect of natural light on skin. The artist avoids complex colour mixtures, relying instead on the interaction of these few pigments to suggest a wide spectrum of hues. The brushwork is rapid and fluid. Zorn applies paint with broad strokes that suggest form rather than defining every detail. This technique captures the fleeting quality of light as it filters through the canopy. The background shows a glimpse of blue water and a distant shoreline, providing a sense of place without distracting from the central figure. The woman's pose is unposed and natural, reflecting Zorn's interest in candid moments. He often worked from photographs or quick sketches to maintain this sense of spontaneity in his finished oil paintings. Zorn was a master of capturing the texture of skin and the play of reflections. In this painting, the cool shadows on the figure contrast with the warm accents where the sun hits her shoulder and back. The surrounding foliage is rendered with energetic greens and browns, creating a textured environment. This work is a clear example of Zorn's ability to combine academic precision with the loose execution of Impressionism. The interaction between the soft edges of the figure and the sharp strokes of the vegetation creates a dynamic visual experience.