Aguttes - Henri-Edmond Cross
Archival giclée
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Description
This oil on canvas by Henri-Edmond Cross, titled 'Aguttes', exemplifies the Neo-Impressionist style through its use of Pointillism and soft, pastel colours to depict a nude woman in profile.
Henri-Edmond Cross, a French painter and printmaker, was a significant figure in the Neo-Impressionist movement. Born in Douai, France, he initially worked in a style influenced by Impressionism before adopting the Pointillist technique championed by Georges Seurat and Paul Signac. His work is characterised by its use of divided colour and its exploration of light and atmosphere. Cross's paintings often depict idyllic scenes of the Mediterranean coast. He exhibited regularly at the Salon des Indépendants and played a role in the development of early modern art. 'Aguttes' presents a nude woman in profile, seated in a relaxed pose. The painting employs a Pointillist technique, with small, distinct dots of colour applied to the canvas. These dots blend optically when viewed from a distance, creating a luminous and shimmering effect. The palette is dominated by soft, pastel hues, including blues, greens, and pinks, which contribute to the work's ethereal quality. The figure is rendered with a delicate touch, and the overall composition exudes a sense of serenity and contemplation.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Aguttes - Henri-Edmond Cross
Our Features
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Specific Features
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- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
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- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Henri-Edmond Cross
He trained conventionally, painting in the dark realist manner of Bastien-Lepage and Manet. The conversion to Neo-Impressionism came slowly: he did not adopt the pointillist technique until 1891, years after Seurat and Signac had established the method. Once he committed, he moved south. Diagnosed with rheumatism, he left Paris and settled in Saint-Clair on the Mediterranean coast, where the climate was gentler and the light was entirely different.
The move changed his painting. Working alongside Signac, who had also moved south, Cross developed a second phase of Neo-Impressionism: broader, looser brushstrokes than the granular dots of Parisian pointillism, in colours heated by Mediterranean light. The palette shifted from grey and blue to orange, violet and turquoise. The brushstrokes grew from points to mosaic-like blocks of colour.
The late paintings influenced Matisse directly. When Matisse visited Saint-Tropez in 1904, he saw Cross's work and recognised something he could use: the liberation of colour from description. Fauvism, which Matisse would lead the following year, grew partly from what Cross and Signac were doing on the Mediterranean coast.
Cross died in 1910, aged fifty-three. He spent the last nineteen years of his life painting the same coastline in colours that got more intense with each passing year.
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