Althaea Putting the Fatal Log on the Fire - Bernard Picart
Archival giclée
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Description
A detailed 1712 etching by Bernard Picart depicting the mythological tragedy of Althaea and the fatal log.
This work by Bernard Picart depicts a dramatic moment from Greek mythology: the Queen of Calydon, Althaea, committing the act that will end her son Meleager's life. According to the myth, the Fates decreed that Meleager would perish when a specific log was consumed by fire. Althaea, in a fit of grief and rage over her son's killing of her brothers, places the log upon the altar flame. Picart employs a sanguine tone, a technique that mimics the appearance of red chalk drawings. This choice provides a warm, monochromatic quality that draws attention to the line work and the emotional tension of the scene. The composition is dense, with Althaea positioned centrally, her expression caught between resolve and despair. She is surrounded by figures that appear to be spectral or divine entities, adding a layer of supernatural weight to her decision. The background is filled with foliage and classical motifs, typical of the period's interest in integrating human drama with natural settings. As a French engraver who spent much of his career in the Netherlands, Picart was known for his technical precision and his ability to translate complex narratives into visual form. This print demonstrates his skill in managing light and shadow through hatching and cross-hatching, creating a sense of volume in the drapery of Althaea's robes and the texture of the altar. The scene captures the exact second of the action, freezing the narrative at its most tragic point. The inclusion of the figures behind her suggests the influence of the Fates or other deities overseeing the unfolding catastrophe. This print is a fine example of early eighteenth-century graphic art, reflecting the period's fascination with classical literature and the theatricality of mythological subjects.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Althaea Putting the Fatal Log on the Fire - Bernard Picart
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Bernard Picart
His work focuses on precise linework and mythological subjects. Picart moved away from the heavy styles of the previous century. He preferred clarity and proportion in his compositions. His etchings, such as "Althaea Putting the Fatal Log on the Fire" or his studies of antique gems, show a controlled hand. He often used vignettes and ornaments, including skulls and griffins, to frame larger narratives or to stand as independent decorative elements.
Modern collectors value Picart for his balance of classical themes and clean graphic sensibility. His prints work well in contemporary spaces because they offer historical depth without visual clutter. The monochrome compositions provide a sharp contrast for minimalist or traditional interiors. His focus on symbolic ornaments like the two-headed eagle or Mercury makes his work feel like a curated collection of curiosities for the home.
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