A collection of twelve delicate colour lithographs by Maurice Denis, exploring themes of domesticity and devotion through a soft, Symbolist lens.

The Amour portfolio, published by Ambroise Vollard in 1899, represents a significant achievement in the career of Maurice Denis. As a member of the Nabis, Denis sought to move beyond the objective representation of the physical world, favouring instead a subjective, decorative approach to painting and printmaking. This collection of twelve colour lithographs explores themes of devotion, domesticity, and spiritual connection, often featuring his wife, Marthe Meurier, as the central figure. Visually, these works are characterised by their soft, ethereal quality. Denis employs a delicate application of colour, using muted tones and gentle transitions to create a dreamlike atmosphere. The compositions often feature flattened perspectives and rhythmic, flowing lines, which reflect the influence of Japanese woodblock prints on the Nabis group. The figures are rendered with a sense of quietude, their forms blending into the surrounding environments of gardens, interiors, and light-filled spaces. The use of lithography allowed Denis to experiment with layering translucent colours, resulting in a subtle, painterly effect that distinguishes these prints from the more graphic styles of his contemporaries. Throughout the series, the artist balances the decorative potential of the medium with a personal, almost devotional narrative. The imagery avoids overt drama, focusing instead on the small, private moments that define human relationships. By stripping away unnecessary detail, Denis invites the viewer to engage with the emotional resonance of each scene. These prints demonstrate the artist's ability to synthesise his interest in religious iconography with the everyday life of the late nineteenth century. The portfolio remains a primary example of the Symbolist aesthetic, where the primary goal is to evoke a mood or an idea rather than to document reality. Each sheet functions as a meditation on the nature of affection, presented through a refined and highly controlled visual language.