A portrait by Tarsila do Amaral, capturing a contemplative subject in a blue hat, rendered with soft brushwork and a balanced colour palette.

Painted in 1922, Blue Hat captures a moment in the early career of Tarsila do Amaral, one of the most significant figures in Brazilian Modernism. During this period, the artist was refining her technical approach, having spent time in Paris studying under masters such as Émile Renard. This portrait demonstrates her command of light and colour, moving away from academic rigidity toward a more personal, expressive application of paint. The subject is depicted in a three-quarter view, wearing a wide-brimmed blue hat adorned with subtle floral accents. The choice of a monochromatic blue palette for the clothing and headwear creates a sense of harmony, which is balanced by the warm, ochre-toned background. The brushwork is deliberate, showing the influence of her European training while hinting at the stylistic shifts that would later define her contribution to the Antropofagia movement. The facial features are rendered with soft transitions, focusing on the sitter's contemplative expression rather than precise anatomical detail. This work provides a window into the transition between traditional portraiture and the avant-garde experiments that would follow. It avoids the heavy stylisation of her later, more iconic works, offering instead a study in colour theory and composition. The interplay between the cool tones of the dress and the golden hues of the setting creates a visual tension that draws the viewer to the sitter's gaze. As a museum-grade fine art print, this piece retains the texture and tonal depth of the original oil painting, making it a suitable addition for those interested in the development of twentieth-century South American art.