A historical mural by Ford Madox Brown depicting the 1642 Siege of Manchester. This work illustrates the defence of the bridge over the River Irwell during the English Civil War.

Ford Madox Brown produced this work as part of a series of twelve murals for the Great Hall of Manchester Town Hall. The cycle depicts the history of the city from Roman times to the nineteenth century. This specific panel illustrates an event from the English Civil War in 1642. It shows the defence of the bridge connecting Manchester and Salford against Royalist forces led by Lord Strange. Manchester was a Parliamentarian stronghold, and this conflict was one of the opening actions of the war. The composition focuses on the chaotic reality of seventeenth-century warfare. In the foreground, a fallen horse and wounded soldiers lie on the stone bridge. John Bradshaw, a local magistrate, directs the defence while musketeers fire from behind makeshift barricades. Brown used the Gambier Parry spirit fresco technique. This method involved mixing pigments with wax and resin to ensure the work remained integrated with the stone walls. It provided a matte surface that prevented glare from the large windows in the hall. Brown avoided the idealised heroics common in Victorian history painting. Instead, he included details such as the smoke from gunpowder and the strained expressions of the combatants. The background features the old Salford Bridge and the tower of the Manchester Parish Church, now Manchester Cathedral. The palette consists of earthy ochres and muted reds alongside grey tones. These colours reflect the overcast northern climate and the grim nature of the siege. The artist spent over a decade completing the entire mural series. He conducted research into historical costume and local topography to ensure accuracy. This focus on realism was a hallmark of his association with the Pre-Raphaelite movement. The figures are arranged in a frieze-like manner, yet they retain a sense of individual character and physical weight. This print captures the scale and narrative detail of the original mural.