A delicate colour lithograph from the 1899 'Amour' series by Maurice Denis, capturing a moment of quiet, Symbolist introspection.

This colour lithograph by Maurice Denis, titled 'But It Is the Heart that Beats Too Fast' (Mais c'est le cœur qui bat trop vite), forms part of the artist's 1899 series 'Amour'. As a member of the Nabis, Denis sought to move beyond mere representation, prioritising the subjective experience and the decorative qualities of the picture plane. The work depicts a seated female figure in a state of quiet introspection, her hand resting against her chest in a gesture that suggests both vulnerability and emotional intensity. The composition is defined by a soft, ethereal palette of pale yellows, muted greens, and delicate pinks. Denis employs a flattened perspective, typical of his interest in Japanese woodblock prints and the decorative arts. The figure is positioned near a window, where light streams in, casting gentle shadows and creating a sense of domestic stillness. The lines are fluid and understated, contributing to the dreamlike quality of the scene. The text inscribed at the bottom provides a narrative anchor, linking the visual imagery to the poetic themes of love and longing that preoccupied the Nabis during this period. Denis was known for his belief that a painting, before being a battle horse, a nude woman, or some anecdote, is essentially a flat surface covered with colours assembled in a certain order. This philosophy is evident here, as the forms are simplified and the colour harmonies are balanced to create a unified, rhythmic effect. The print captures the specific mood of the turn-of-the-century Symbolist movement, where the focus shifted from the external world to the internal landscape of the mind and spirit. It remains a fine example of the technical skill and aesthetic vision that defined Denis's contribution to modern printmaking.