Ceres with two nymphs - Frans Snyders
Archival giclée
Ready to hang
Secure checkout
Made to order
Description
A Baroque mythological scene by Frans Snyders, featuring Ceres with a cornucopia of fruit, exotic animals, and two nymphs.
Frans Snyders, a Flemish painter active in Antwerp, produced this work during the height of the Baroque period. He is widely recognised for his mastery of still life and animal subjects, often collaborating with Peter Paul Rubens on larger compositions. This painting depicts Ceres, the Roman goddess of agriculture, accompanied by two nymphs. The central focus is a large cornucopia overflowing with produce, which serves as a visual representation of abundance and fertility. Snyders employs a characteristic palette, balancing the soft, pale skin tones of the figures against the saturated blues and reds of their drapery. The inclusion of a parrot and a small monkey introduces an exotic element, a common feature in Snyders' work that adds texture and narrative interest to the scene. The composition is structured around the central cornucopia, with the figures arranged to guide the viewer's eye across the variety of fruits and grains. The lighting is dramatic, typical of the period, creating depth and volume in the figures and the still life elements. This piece demonstrates the technical precision Snyders brought to the depiction of organic matter. Every piece of fruit, from the grapes to the melons, is rendered with careful attention to surface texture and form. The interaction between the mythological figures and the natural bounty reflects the period's fascination with allegory and the celebration of nature's harvest. The work remains a fine example of the collaborative and highly skilled artistic environment of seventeenth-century Antwerp, where the boundaries between still life and figure painting were frequently blurred to create complex, multi-layered compositions.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Ceres with two nymphs - Frans Snyders
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Why Choose Us ?
100% Satisfaction Guarantee
Fast Shipping
Museum-Quality Materials
Artist Biography
Frans Snyders
He was born in Antwerp in 1579 and studied under Pieter Brueghel the Younger, though his painting style owed more to Brueghel's brother Jan ("Velvet Brueghel"), whose talent for rendering textures left a permanent mark. He may also have trained under Hendrik van Balen, who later taught Anthony van Dyck. A trip to Italy in 1608 to 1609 took him to Rome and Milan, where Cardinal Federico Borromeo became his patron.
Back in Antwerp, Snyders began collaborating with Peter Paul Rubens, a partnership that lasted from the 1610s until Rubens's death in 1640. Their brushwork was so close that contemporaries struggled to distinguish their contributions in shared canvases. Snyders painted roughly sixty hunting scenes and animal pieces after Rubens's designs, and added animal and still-life passages to Rubens's figure compositions. After Rubens died, Snyders served as one of the appraisers of his estate.
In 1611 he married Margaretha de Vos, sister of the painters Cornelis and Paul de Vos. He became dean of the Guild of Saint Luke in 1628 and bought a house on the fashionable Keizerstraat. His market scenes, hunt paintings and kitchen still lifes were compositions of Baroque excess: heaped game, overflowing fruit, dogs lunging at boar and deer. He died childless in 1657, at seventy-seven, leaving his fortune to his sister, a beguine.
You May Also Like

