A 1911 oil painting by August Macke depicting a lively circus scene with performers, rendered in a flattened, modernist style.

August Macke painted Circus II in 1911, a period during which he engaged with the stylistic innovations of the Der Blaue Reiter group. The composition presents a theatrical scene, populated by performers including a drummer, a strongman, a woman in a yellow leotard, and a harlequin figure in the foreground. Macke employs a flattened perspective, which draws focus to the decorative arrangement of the figures rather than a realistic spatial depth. The figures are rendered with simplified forms and clear outlines, characteristic of his early modernist approach. The colour palette is composed of primary and secondary tones, applied in relatively flat areas. This choice of colour contributes to the graphic quality of the work. The harlequin, dressed in a diamond-patterned costume, acts as a bridge between the performers on the stage and the audience below. The inclusion of a dog and a monkey adds a sense of narrative playfulness to the scene. Macke often turned to urban leisure activities as subjects, finding in the circus a space for visual experimentation. By stripping away unnecessary detail, he focuses on the rhythm of the figures and the interaction between the performers. The work reflects his interest in the synthesis of form and colour, moving away from traditional academic representation toward a more personal, subjective interpretation of the subject matter. The painting remains a clear example of his ability to capture the energy of public spectacle through a simplified, modern lens.