A 1543 engraving by Sebald Beham featuring a heraldic cock, designed as a model for a personal seal.

Sebald Beham, a prominent member of the Little Masters, produced this engraving in 1543. The work displays the technical precision characteristic of the Nuremberg school during the sixteenth century. As an artist, Beham was known for his small-scale prints, which allowed for a high degree of control over line and shading. This specific piece functions as a heraldic study, featuring a central shield occupied by a cock, surmounted by a helmet and a crest that repeats the avian motif.

The composition is framed by elaborate mantling, which flows around the central elements in a series of rhythmic, organic curves. Beham employs a variety of hatching techniques to define the volume of the helmet and the texture of the feathers. The surrounding scrollwork contains the German inscription, EIN WAPEN ZV EINEM SIGEL, which translates to 'A coat of arms for a seal'. This suggests the print was intended as a model for a personal or family seal, a common practice for the merchant and artisan classes of the period who sought to establish their own heraldic identity.

The print demonstrates the artist's ability to balance decorative elements with clear, legible iconography. The background is rendered with a fine, cross-hatched grid, providing a neutral field that allows the foreground figures to emerge with clarity. Beham's signature monogram, ISB, is visible on the left side of the scroll, alongside the date. This work provides insight into the intersection of personal identity, print culture, and the visual language of the German Renaissance, where the dissemination of heraldic designs became accessible through the medium of engraving.