A 1916 Cubist study by Theo van Doesburg, featuring a geometric arrangement of still life objects rendered in a structured, analytical style.

Composition I (Still Life), painted in 1916, captures a transitional moment in the career of Theo van Doesburg. Before he fully embraced the strict geometric abstraction of the De Stijl movement, van Doesburg experimented with the fractured planes and analytical approach of Cubism. This work demonstrates his attempt to reconcile representational objects with a systematic, grid-like structure. The painting features a collection of spherical and conical forms, arranged in a pyramid-like structure that occupies the centre of the canvas. Rather than depicting the objects with traditional volume, van Doesburg breaks them into segments of colour and light. The palette relies on muted blues and purples for the background, which contrast with the sharper greens, reds, and ochres of the central objects. The application of paint is deliberate, with visible brushwork that maintains a sense of physical texture across the surface. Van Doesburg was a central figure in the development of modern art in the Netherlands. His work during this period shows a clear progression toward the reduction of form. By deconstructing the still life into basic geometric components, he began to move away from the observation of nature toward a more conceptual mode of painting. The composition remains grounded in the tradition of the still life, yet it anticipates the mathematical precision that would define his later contributions to the avant-garde. This print offers a view into the early experiments of an artist who sought to unify art with the rational principles of design.