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Connoisseurs - or Portrait Collectors!!! - Thomas Rowlandson

Regular price  $29.00 USD
Sale price  $29.00 USD Regular price 
Product: Fine Art Poster
Size: A4 (21x29.7 cm)
Frame: -
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Description

A satirical etching by Thomas Rowlandson depicting two men engrossed in the study of a print, from the 1807 publication The Pleasures of Human Life.

Thomas Rowlandson was a prolific English caricaturist and illustrator, known for his sharp observations of social behaviour during the late eighteenth and early nineteenth centuries. This etching, titled Connoisseurs - or Portrait Collectors!!!, was produced for the publication The Pleasures of Human Life, released in 1807. It captures a scene within a cluttered study, where two men examine a small print with intense, almost comical focus. Rowlandson employs his characteristic fluid line work to define the figures and the environment. The room is filled with evidence of the collectors' obsession: walls covered in framed prints, stacks of folios, and a small dog sitting patiently by the fireplace. A third figure stands in the background, hunched over a portfolio, further adding to the sense of a space dedicated entirely to the acquisition and study of art. The exaggerated physical features of the men, a hallmark of Rowlandson's style, serve to gently mock the seriousness with which these individuals approach their hobby. The etching reflects the broader cultural interest in print collecting that flourished in Georgian Britain. Rowlandson often turned his attention to the eccentricities of the middle and upper classes, using humour to comment on contemporary habits. By focusing on the physical act of inspecting a print, he draws the viewer into the private world of the collector. The composition is balanced, with the central figures acting as the primary focus, while the surrounding details provide context for their shared interest. This work remains a clear example of the satirical print tradition that defined much of the visual culture of the era, offering a glimpse into the domestic lives and pastimes of the period.

Return policy

Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.

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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.

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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.

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Connoisseurs - or Portrait Collectors!!! - Thomas Rowlandson - Poster

Connoisseurs - or Portrait Collectors!!! - Thomas Rowlandson

Regular price  From $29.00 USD
Sale price  From $29.00 USD Regular price 
Fine Art Poster / A4 (21x29.7 cm) / -

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Materials & Sizing

Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.

  • Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
  • Canvas: XS (20×30 cm) to Large (60×90 cm)
  • Frames: black, natural wood, dark wood or white

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Thomas Rowlandson portrait

Artist Biography

Thomas Rowlandson

Rowlandson inherited seven thousand pounds from his aunt and gambled it away. He was known to sit at gaming tables for thirty-six hours at a stretch. The loss is the reason he produced over ten thousand drawings and prints in his lifetime: the volume had more to do with debts than with artistic ambition.

He trained at the Royal Academy Schools in London and may have spent time in Paris, though the often-quoted two years at a Parisian academy has been narrowed by recent scholarship to a few weeks at most. His technique was fast, fluent, and populated by figures who bulge, lurch, stumble and grope their way through Georgian England. The line is always in motion. Fat men eat. Thin women flirt. Horses rear. Coaches overturn. The world in a Rowlandson drawing is always on the verge of falling over.

He drew for the satirical press, illustrated books (including the Dr Syntax series, which sold well enough to keep him solvent for several years), and produced erotica for a private clientele that was never published in his lifetime. Unlike James Gillray, whose satire was ferocious and politically targeted, Rowlandson's humour was broader and warmer. He drew human beings as comic animals: vain, greedy, amorous and fundamentally absurd.

His subjects included Vauxhall Gardens, the races at Brighton, country fairs, and the particular chaos of London streets. He drew the city as a place where everyone is either trying to sell something, steal something, or seduce someone, often simultaneously. He died in 1827, aged seventy, having drawn everything he saw and gambled most of what he earned.
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Frequently Asked Questions

How long does it take to process an order?

Every print is made to order. UK orders typically arrive within 3–5 business days; US and European orders usually take a little longer (around 5 business days). You’ll get a confirmation email as soon as your order is on its way.

Do you ship internationally?

Yes — we currently ship across the UK, US and Europe. Available shipping options and costs are shown at checkout.

What is your return policy?

Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.

What are your sizing options?

Most artworks come in a range of formats and sizes:

  • Poster & Framed: A4, A3, A2, A1, A0 and B2 (50×70 cm)
  • Canvas & Framed Canvas: XS (20×30), Small (30×40), Medium (40×60), Large (60×90 cm)

The available options appear in the dropdowns on each product.

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