Driftwood on the Bagaduce - Marsden Hartley
Archival giclée
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Description
Marsden Hartley's 'Driftwood on the Bagaduce' captures the rugged Maine coastline with modernist flair. This striking oil painting, with its bold driftwood forms and evocative colours, brings a touch of coastal drama to any space.
Marsden Hartley's 'Driftwood on the Bagaduce' (1939-1940) captures the rugged beauty of the Maine coastline with a distinctive modernist sensibility. Hartley, a key figure in American Modernism, returned to his native Maine in the late 1930s, seeking solace and inspiration in its stark landscapes. This painting, rendered in oil on board, depicts a tangle of bleached driftwood against a backdrop of the Bagaduce River. The composition is striking, with the sinuous forms of the driftwood dominating the foreground, their stark white contrasting against the dark, earthy tones of the shore and the muted blues of the sky. A distant sailboat adds a touch of maritime charm, anchoring the scene in its coastal setting. Hartley's expressive brushwork and bold colour choices imbue the scene with a sense of raw energy and emotional depth. As a fine art print, 'Driftwood on the Bagaduce' brings a touch of American modernist drama to any interior. Its bold composition and evocative subject matter make it a compelling focal point for a living room, study, or hallway, adding a touch of coastal atmosphere and artistic flair to your home.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Driftwood on the Bagaduce - Marsden Hartley
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Marsden Hartley
Returning to the United States, Hartley sought to capture the essence of the American landscape and its people. He embraced a more representational style, focusing on the rugged beauty of his native Maine and the working-class communities he encountered. His "Dogtown" series, depicting the desolate landscape of a former settlement, showcases his ability to find beauty in the stark and unforgiving. These works are not mere landscapes; they are meditations on memory, loss, and the enduring power of nature.
Despite facing personal struggles and periods of obscurity, Hartley remained committed to his artistic vision. His willingness to experiment with different styles and subjects, from abstract symbolism to representational landscapes, makes him a truly unique and compelling figure. Marsden Hartley died in 1943, leaving behind a body of work that continues to challenge and inspire, inviting viewers to contemplate the complexities of identity, place, and the human condition.
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