A 1916 woodcut bookplate by Carel Adolph Lion Cachet, featuring symmetrical bird motifs and clasped hands in a bold, graphic style.

This woodcut by the Dutch artist Carel Adolph Lion Cachet, dated 1916, functions as an ex libris, or bookplate, for the association Hou'en Trouw. Lion Cachet was a significant figure in the Dutch decorative arts, known for his mastery of wood engraving and his contributions to graphic design during the early twentieth century. His work often reflects the influence of the Arts and Crafts movement, prioritising clear, bold forms and a strong relationship between the medium and the final image. The composition is highly symmetrical and relies on the stark contrast between black ink and the paper surface. At the centre, a pair of clasped hands serves as a symbol of the association's name, which translates to 'Hold and be Faithful'. This central motif is surrounded by stylised birds, arranged in a mirrored pattern that fills the rectangular frame. The text is integrated into the design, with 'Ex Libris' at the top, the association name flanking the sides, and 'Amsterdam 1916' at the base. The lines are thick and deliberate, characteristic of the woodcut technique, where the artist carves away the negative space to leave the image in relief. Lion Cachet's approach to this piece demonstrates his ability to balance text and image within a confined space. The birds are rendered with simplified, geometric feathers, creating a rhythmic pattern that draws the eye across the surface. This print is a clear example of the graphic sensibilities prevalent in Dutch design of the period, where traditional craftsmanship met modern requirements for commercial and institutional identity. The work remains a precise record of the artist's technical skill and his commitment to the aesthetic principles of the era.