Ex-voto dedicated to Saint Rita of Cascia - Yves Klein
Archival giclée
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Description
A fine art print of Yves Klein's 1961 votive offering, featuring his signature International Klein Blue, pink pigment, and gold leaf.
This work is a personal offering created by Yves Klein, deposited at the Monastery of Saint Rita in Cascia, Italy. The piece consists of a transparent plexiglass box containing three distinct compartments filled with pure pigments: International Klein Blue (IKB), pink, and gold leaf. Below these, a handwritten note by the artist provides context regarding his aesthetic philosophy, referencing his concept of the void and the immaterial. Klein maintained a private devotion to Saint Rita, the patron saint of impossible causes. This object functions as a votive offering, bridging his avant-garde artistic practice with traditional religious ritual. The inclusion of a gold ingot, which Klein associated with the sale of his immaterial zones, adds a layer of economic and spiritual exchange to the work. The composition is structured with geometric precision, separating the materials into clear, distinct zones that invite contemplation of their physical properties. As a primary figure of the Nouveau Réalisme movement, Klein sought to move beyond traditional painting. By presenting raw materials in a contained, archival format, he directs the viewer toward the essence of colour and matter. The handwritten text serves as a manifesto, linking the physical components to his broader theories on the architecture of air and the return to an Edenic state of human existence. This print captures the precise arrangement of the original object, preserving the texture of the loose pigments and the metallic sheen of the gold leaf. It offers a view into the intersection of conceptual rigour and personal faith that defined the final years of Klein's career.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Ex-voto dedicated to Saint Rita of Cascia - Yves Klein
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Yves Klein
He was born in Nice to artist parents and grew up between France, England, and Spain. He studied judo seriously, earning a fourth-degree black belt in Tokyo, and considered martial arts and art as related disciplines: both requiring control, precision, and the projection of force.
He exhibited an empty gallery in 1958 and called it Le Vide (The Void). Over three thousand people attended the opening. The gallery walls were painted white. There was nothing else. He served blue cocktails at the door. He sold invisible paintings (Zones of Immaterial Pictorial Sensibility) for gold, then threw half the gold into the Seine and burned the receipt.
He died of a heart attack in 1962, at thirty-four. His career lasted roughly eight years. In that time he made the monochromes, the Anthropometries, the fire paintings, the sponge sculptures, the void exhibitions, and enough theoretical writing to fill several volumes. He remains one of the most influential artists of the post-war period, which he would have considered insufficient recognition.
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