Farmhouses Among Trees - Vincent van Gogh
Archival giclée
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Description
A 1889 oil painting by Vincent van Gogh depicting a rustic farmhouse surrounded by olive trees in Saint-Rémy-de-Provence.
Painted in 1889 during his stay in Saint-Rémy-de-Provence, this work captures the rural surroundings of the asylum where the artist resided. The composition features a modest stone farmhouse partially obscured by a dense grove of olive trees. The artist employs his characteristic impasto technique, applying paint in rhythmic, directional strokes that define the gnarled trunks of the trees and the texture of the earth. The colour palette is dominated by muted greens, ochres, and soft blues, reflecting the specific light of the Mediterranean region. Unlike his earlier, more high-chroma works, this piece demonstrates a controlled approach to colour harmony. The sky is rendered with short, swirling brushwork, a technique that provides a sense of movement across the upper register of the canvas. The farmhouse itself, with its simple structure and tiled roof, provides a stable geometric contrast to the organic, twisting forms of the surrounding vegetation. Van Gogh often returned to the subject of olive groves during this period, finding in their ancient, weathered forms a subject that allowed for intense study of light and shadow. The painting avoids excessive detail, focusing instead on the tactile quality of the paint and the overall atmosphere of the scene. The perspective is slightly elevated, allowing the viewer to look across the uneven ground toward the dwelling. This work remains a clear example of the artist's mature style, where the physical application of pigment becomes as important as the subject matter itself. It provides a quiet, observational view of the Provençal countryside, stripped of sentimentality and presented through the lens of the artist's unique visual language.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Farmhouses Among Trees - Vincent van Gogh
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Vincent van Gogh
He taught himself to draw by copying prints and working through textbooks. His brother Theo, an art dealer in Paris, sent money every month for the rest of Vincent's life. Without Theo there are no paintings. The letters between them, over 600, are one of the most complete records of any artist's thinking. Van Gogh wrote about colour theory, composition, what he ate, what he read, how much he spent on paint. He was articulate and well-read and not, despite the popular version, simply mad.
He moved to Paris in 1886 and encountered Impressionism. The palette changed immediately: from the dark browns of his Dutch period to the colours people actually associate with his work. He met Gauguin, Pissarro, Signac, Toulouse-Lautrec. He absorbed Pointillism and Japanese prints. Then he moved to Arles in the south of France, where the light was better and people were fewer.
The Arles period produced Sunflowers, The Bedroom, Starry Night Over the Rhone. The breakdown followed: the argument with Gauguin, the severed ear (he cut part of his left ear, not the whole thing), the asylum at Saint-Remy, and then Auvers-sur-Oise, where he painted seventy canvases in seventy days before dying from a gunshot wound at thirty-seven. He sold one painting during his lifetime, or possibly two. Theo died six months later.
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