An elegant etching by François Boucher, created as part of a series reproducing the works of Antoine Watteau.

This etching, titled Femme du Royaume de Népal, is a work by François Boucher, produced during his early career when he was engaged in reproducing the drawings of Antoine Watteau. The print belongs to a series of engravings commissioned by Jean de Jullienne, intended to document the works held in the royal collections. Boucher, who would later become a dominant figure in French Rococo painting, demonstrates here his technical proficiency in translating the fluid, expressive line work of Watteau into the medium of etching. The composition features a female figure leaning against a tree, rendered with the characteristic grace and soft contours associated with the period. The background includes a simplified architectural element, suggesting a distant structure, which provides a sense of space without overwhelming the central subject. The drapery of the figure's clothing is captured through delicate, rhythmic hatching, which creates a sense of volume and movement. This work reflects the eighteenth-century European fascination with exoticism, although the depiction is highly stylised and filtered through the aesthetic conventions of the French court rather than direct observation of the subject. As a print, this piece offers a clear view into the collaborative nature of eighteenth-century art production, where painters often relied on skilled engravers to disseminate their compositions. The etching process allows for a lightness of touch, maintaining the spontaneity of a preparatory sketch while providing a finished, reproducible image. The work is a fine example of the period's interest in costume and character studies, presented with the refined sensibility that defined the era's graphic arts.