A late expressionist still life by Marsden Hartley depicting a pair of work gloves and gardening shears. This oil painting uses heavy brushwork and a muted palette to depict the tools of manual labour in Maine.

Marsden Hartley painted this still life during his later years in Maine. The composition features a pair of heavy work gloves and a set of metal shears against a dark, monochromatic background. Hartley moved away from his earlier abstract experiments in Berlin to focus on the rugged, physical reality of New England life. This work reflects that shift toward a more direct and tactile style. The gloves are rendered with thick, visible brushstrokes. Hartley used a palette of cream and tan with dark blue accents to define the folds and weight of the material. The shears are positioned to the right, their metallic surfaces suggested by ochre and brown tones. There is a sense of weight and utility in these objects. These are functional tools of manual labour rather than decorative items. The artist avoids any attempt at prettiness or sentimentality. Instead, he presents the objects as they are: worn and functional. The dark background eliminates any sense of specific location. This choice forces the viewer to concentrate on the forms and textures of the objects themselves. Hartley often chose humble subjects like these to explore themes of work and isolation. The heavy outlines and simplified shapes are characteristic of his late expressionist period. This painting is a clear example of his interest in the physical presence of everyday things. He treats the gloves and shears with the same gravity he might apply to a portrait or a mountain. The application of paint is deliberate and heavy, creating a surface that feels as substantial as the subjects it depicts. Hartley returned to his native Maine in the mid-1930s, seeking a connection to the land and its people. This period marked a departure from the cosmopolitan influences of his earlier career. He began to paint the local environment with a new sense of austerity. The objects in this painting are part of that local vernacular. They represent the daily toil of the gardener or the farmer. By isolating them on the canvas, Hartley elevates these common tools to the status of icons. The composition is balanced but asymmetrical, with the diagonal lines of the shears providing a sense of movement against the static mass of the gloves.