A striking 1914 woodcut by Franz Marc, featuring bold, angular forms and a rhythmic composition that explores themes of creation and natural unity.

Genesis I is a woodcut by the German Expressionist artist Franz Marc. Created in 1914, this work belongs to the portfolio New European Graphics, Portfolio III: German Artists. The print displays the characteristic visual language of the Der Blaue Reiter group, where the artist sought to move beyond the physical appearance of the natural world to capture a spiritual essence. The composition is defined by sharp, angular forms and a stark contrast between black ink and the white paper ground. Marc arranges various animal and organic shapes into a dense, interlocking structure. The figures are not rendered with anatomical precision, but rather through simplified, rhythmic lines that suggest movement and energy. A bird-like form occupies the upper section, while larger, more ambiguous creatures populate the lower half. The interplay of positive and negative space creates a sense of tension, typical of the woodcut medium as utilised by early twentieth-century German artists. This work reflects the artist's preoccupation with the concept of creation and the unity of all living things. By stripping away colour, Marc forces the viewer to focus on the geometry of the forms and the balance of the composition. The woodcut technique, with its inherent resistance and physical demands, allowed the artist to achieve a directness that suited his expressive aims. The print remains a clear example of the shift towards abstraction that defined the period, moving away from traditional representation in favour of a more symbolic and emotive visual vocabulary. The work is a study in the tension between the organic and the constructed, presented through the bold, graphic clarity of the relief printing process.